Toutes peintures ā l'huile d'Augustus Earle
ID Image Painting(From A to Z)    Details 
28004  
Augustus Earle, A Bivouac of Travellers in Australia in a Cabbage Tree Forest,Day Break
  		 A Bivouac of Travellers in Australia in a Cabbage Tree Forest,Day Break   1838 Oil on canvas 118 x 82 cm (46 1/2 x 32 1/4in) National Library of Australia,Canberra (mk63)
96965  
Augustus Earle, A street flower seller
  		 A street flower seller   oil on canvas, 55 x 38 cm Date 1882(1882) cyf
58727  
Augustus Earle, Augustus Earle
  		 Augustus Earle   Augustus Earle, (Self Portrait) Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha (i.e. da Cunha) in the South Atlantic, (1824): watercolour; 17.5 x 25.7 cm. National Library of Australia
32729  
Augustus Earle, Captain Richard Brooks
  		 Captain Richard Brooks   mk80 1826-27 Oil on canvas 73.9x61
96964  
Augustus Earle, Luck in a Moment
  		 Luck in a Moment   30.5 x 25.5 cm Date 1874(1874) cyf
28395  
Augustus Earle, Past and Present No 1
  		 Past and Present No 1   1858 Oil on canvas 63.5 x 76.2 cm (20 x 30 in) Tate Gallery London (mk63)
28397  
Augustus Earle, Past and Present No 2
  		 Past and Present No 2   1858 Oil on canvas 63.5 x 76.2 cm (20 x 30 in) Tate Gallery London (mk63)
28398  
Augustus Earle, Past and Present No 3
  		 Past and Present No 3   1858 Oil on canvas 63.5 x 76.2 cm (20 x 30 in) Tate Gallery London (mk63)
58729  
Augustus Earle, Portrait of Bungaree
  		 Portrait of Bungaree   Augustus Earle, Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, (1826): oil on canvas; 68.5 x 50.5 cm. National Library of Australia
94291  
Augustus Earle, Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour,
  		 Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour,   oil on canvas Date 1826(1826) cjr
58728  
Augustus Earle, Punishing negroes at Cathabouco
  		 Punishing negroes at Cathabouco   Augustus Earle, Punishing negroes at Cathabouco, (i.e. Calabouco) Rio de Janeiro, (1822): watercolour; 23.6 x 26.3 cm. National Library of Australia
94290  
Augustus Earle, Punishing negros at Cathabouco
  		 Punishing negros at Cathabouco   1822. Watercolour; 23.6 x 26.3 cm. cjr
96963  
Augustus Earle, Selling Out
  		 Selling Out   1901, oil on board, 30.5 x 23 cm cyf
94289  
Augustus Earle, Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha
  		 Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha   1824 cjr
96962  
Augustus Earle, The flower girl
  		 The flower girl   Oil on canvas, 37 x 26 cm Date 1872(1872) cyf
96961  
Augustus Earle, Uncared for
  		 Uncared for   Oil on canvas, 101 x 76 cm Date 1871(1871) cyf
Augustus Earle
Australian Painter , 1793-1838 Nephew of Ralph Earl. He exhibited at the Royal Academy in London between 1806 and 1815, when he began travelling. He visited the Mediterranean between 1815 and 1817, and lived in North America (1818-20) and South America (1820-24). In February 1824, en route to India, he was accidentally abandoned on Tristan da Cunha for eight months. The passing ship that rescued him took him to Australia. Here he lived from 1825 until 1828, a period broken by a seven-month residence in New Zealand. During all of his voyages he made watercolour sketches, particularly of places 'hitherto unvisited by any artist', apparently with the intention of publishing a series of aquatints. These drawings, such as a Bivouac, Daybreak, on the Illawarra Mountains (1827; Canberra, N. Lib.), have a robust autobiographical quality. In Sydney he obtained a number of commissions, including a full-length portrait of Governor Sir Thomas Brisbane (1825-6; Sydney, Govt House). Earle returned to England in 1829 and produced a series of prints, Views in New South Wales, and Van Diemen's Land.



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